When baking a dessert, we use measuring instruments such as a kitchen scale, glass, or cup. But when it comes to measuring the rhythm in a poem, how do we do it? This is where the concept of 'meter' comes into play. In poetry, meter is a unit of measurement used to determine the rhythm, structure, and length of each line in a poem.
Meter is a term that refers to the arrangement of syllables in a line of poetry. It plays a crucial role as it creates a structure and dictates the length of each line. The meter of a poem is determined by two main factors: the number of syllables in a line and the pattern they create. In a line of poetry, syllables are divided into metrical feet.
Metrical feet are a combination of stressed and unstressed syllables that make up a unit in a line of poetry. They are also known as poetic feet. English poetry has various types of meters, such as:
"Shall I compare thee to a summer's day?
Thou art more lovely and more temperate."
"She walks in beauty, like the night
Of cloudless climes and starry skies;"
"The Only News I know
Is bulletins all day
From Immortality."
"Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—"
Caesura is a poetic device used in different meters. It refers to a break between words within a metrical foot, often achieved by placing punctuation marks. The purpose of caesura is to create a pause and add rhythm to a line of poetry.
The meter is a vital aspect of poetry that helps create structure and rhythm in a poem. Familiarizing yourself with different types of meters can help you appreciate the flow and rhythm of a poem. So the next time you read a poem, try to identify the meter and see how it enhances the overall impact and meaning of the piece.
Poets often use caesuras and enjambment to draw attention to a particular statement and create a disjointed meter. They are commonly seen in W.B. Yeats' 'The Lake Isle of Innisfree' (1890):
"I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;"
Enjambment, on the other hand, occurs when a line continues without a punctuation break into the next line, creating a fluid meter that adds a prosaic quality to the poem. William Carlos Williams' 'This Is Just To Say' (1934) is an excellent example of enjambment:
"I have eaten
the plums
that were in
the icebox"
Another form of meter is blank verse, which does not follow a rhyme scheme. Blank verse poems typically use iambic pentameter, but other meters can also be used. This type of meter allows poets to have a form without being bound by a set rhyme scheme, giving them the freedom to explore deeper themes.
One of the most famous examples of blank verse poetry is Robert Frost's 'Mending Wall' (1914):
"Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,"
Mixed meter poetry is created when a poem uses multiple meters, such as iambs or trochees, and sometimes a combination of both. One common type is ballad meter, also known as common meter, which alternates lines of iambic tetrameter and trimeter. This variation in meter adds a musical quality to the poem and is often used in longer works. A famous example can be found in Samuel Taylor Coleridge's 'The Rime of the Ancient Mariner' (1798):
"Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink."
There are various types of meters in poetry, and understanding them can help us analyze the effect they have on a poem. In Seamus Heaney's 'Blackberry Picking' (2013), he utilizes iambic pentameter to replicate natural speech and create a conversational tone:
"Late August, given heavy rain and sun
For a full week, the blackberries would ripen."
William H. Auden's 'In Memory of W.B Yeats' (1939) is an example of mixed meter poetry, utilizing trochaic tetrameter in its final section to convey a mood of sadness and mourning:
"Earth, receive an honoured guest:
William Yeats is laid to rest."
William Wordsworth's 'I Wandered Lonely as a Cloud' (1804) uses iambic tetrameter to mimic the pace of the speaker's walking, bringing movement to the image being described:
"I wandered lonely as a cloud
That floats on high o'er vales and hills,"
Meter is a powerful tool in conveying meaning and setting the tone and rhythm of a poem. When frequently used in a specific form of poetry, it can also evoke a specific theme – for example, iambic pentameter has become associated with love due to its use in sonnets. Meter is an essential poetic device as it adds musicality and rhythm in poems, making them more captivating for readers.
Meter is the arrangement of syllables in a line of poetry and plays a crucial role in creating the rhythm and musicality of a poem. From using pauses and enjambment to add emphasis and variation, to exploring blank verse and mixed meter poetry, the different types of meter offer poets a range of techniques to convey meaning and emotion in their work.
A metrical foot refers to a grouping of stressed and unstressed syllables within a single unit of a poetry line. There are two main types of metrical feet: iambs and trochees.
Meter is a term used to describe how syllables are arranged in a line of poetry. It determines the rhythm and flow of a poem.
Meter is determined by the number of syllables in a line and the pattern in which they are arranged. This pattern creates a sense of musicality and structure within the poem.
Iambic pentameter and trochaic tetrameter are two examples of meter in poetry. Both have a specific number of syllables and a specific pattern of stressed and unstressed syllables within a line.
Meter and rhyme are two distinct elements in poetry. While meter refers to the arrangement of syllables, rhyme refers to the repetition of sounds at the end of lines.
To identify a meter in literature, start by counting the number of syllables in a line. Then, determine if the first syllable is stressed or unstressed. This will assist in identifying the specific meter used in the poem.
